PAREKŌWHAI, Michael;

Ataarangi

1990, 1600 x 1000 x 100mm, Lacquer on wood

DRUMMOND, Andrew;

Resting Limbs — From Another Archaeology

1990, 3000 x 3000 x 3000mm, Bronze, copper and gold leaf

CLARK, Russell;

Study for Milford Mural 1

1953, 275 x 360mm, Gouache on paper

GRAHAM, Brett;

Te Piriti Puāwai

1997, Cornish granite

FIELD, Robert Nettleton;

Uncle Peter

c.1932, 410 x 340mm, Oil on board

PEEBLES, Don;

Relief Construction

1972, 510 x 560 x 90mm, Enamel on wooden construction

CORBAN, Ben;

Overturned Blue Shoe with Two Heels

c.1998, Flock on board

DAWSON, Neil;

Snapshot

c.1990, Enamel on stainless steel

SPEERS, Jim;

Light Box

1996, Vinyl on Perspex with fluorescent tubes

PARKES, Miranda;

Monster

2008, 1030 x 790 x 260mm, Acrylic and enamel on canvas

ARPS, Dan;

Painting

2011, 525 x 620 x 60mm, Oil on canvas with epoxy resin, Perspex and wood

NIELSEN, Valerie;

Sum

1994, 660 x 850mm, Painted and stained wooden blocks

GASCOIGNE, Rosalie;

Orangery (triptych)

1998, Sawn painted wood from cable reels on backing board

FORD, John Bevan;

Combined Energies (Te Aitanga a Kiwa series)

1995, 1050 x 882mm, Coloured inks on Japanese paper

DRUMMOND, Andrew;

View from the Woodcutter No. 2

c.1987, 980 x 580mm, Graphite on board and cast bronze

DRIVER, Don;

Deep Relief

1974, 1360 x 1830mm, Acrylic and lacquer on aluminium and canvas