BREES, Samuel Charles;

Plain of the Ruamahanga, Opening into Palliser Bay Near Wellington

1845, 240 x 1420mm, Hand-coloured lithograph on paper

BROWN, Gordon Harold;

A Diagonally Squared Preposition (Twin-Line Series 12)

1965, 515 x 470mm, Ink and watercolour on paper

BROWN, Gordon Harold;

Squared Euphemisms (Twin-Line Series 8)

1965, 515 x 470mm, Ink and watercolour on paper

BUTLER, Grace;

Below the Bealey, Canterbury

c.1930, 740 x 940mm, Oil on canvas

CHILCOTT, Gavin;

Dead Kings 4: The Attendants

1983, 1380 x 1395mm, Acrylic on canvas

CLAIRMONT, Philip;

Large Window Painting

1982, 1900 x 1820mm, Oil and acrylic on canvas

CLARK, Russell;

Milford Mural 1

1953, 275 x 360mm, Gouache on paper

CLARK, Russell;

Milford Mural 3

1953, 275 x 360mm, Gouache on paper

CLARK, Russell;

Milford Mural 2

1953, 275 x 360mm, Gouache on paper

DARGIE, William;

Sir James Fletcher I

1968, 750 x 600mm, Oil on canvas

DASHPER, Julian;

Sheraton

1984, 1800 x 1500mm, Oil on canvas

DE LAUTOUR, Tony;

Trance

2007, 2000 x 2830mm, Acrylic on unstretched canvas

DE VRIES, Tjalling;

Double Trouble

2012, 1200 x 1020mm, Acrylic on canvas

DEANS, Austen;

Hills of Erewhon (Rangitata River Headwaters)

1959, 650 x 1000mm, Watercolour on paper

DOWMAN, Matthew;

Symbols for a New World Order

2010, 1200 x 1200mm, Mixed media on canvas

DRIVER, Don;

Deep Relief

1974, 1360 x 1830mm, Acrylic and lacquer on aluminium and canvas