Oil on board
885 x 1215mm
Inscriptions: MDS 69 [l.l.]
In 1969, Michael Smither, his wife, Elizabeth, and their children, Thomas and Sarah, left their home in Ngāmotu New Plymouth and travelled to Patearoa on the Maniototo Plains in Central Otago. The works Smither produced there are of great psychological force, concentrating on the subjects of the natural environment and his young family. Justin Paton has noted the corporeal quality of the Otago works:
‘A mantle of gold seems to drape this landscape, but metaphors also rumble beneath it. Where so many New Zealand painters have raised symbols on the surface of the landscape, Smither’s seem to roll and slowly shift underneath the earth’s skin, like bodies under a blanket. You can’t describe these paintings without reaching
for bodily images—spine, brow, thigh, breast, brain.’
It is interesting to compare Hamilton Diggings with Interior with Child, which features stone-like, draped fabrics. Paton draws a connection with another work, noting that ‘the sight of basalt crowns breaking through the earth recalls the baby teeth that cut through gums so violently in Smither’s 1977 Portrait of Thomas Showing His Teeth.’
 Michael Smither, Michael Smither, Painter (Tāmaki Makaurau: Ron Sang Publications, 2004), 123.
Michael Smither: The Wonder Years, Auckland Art Gallery Toi o Tāmaki, Tāmaki Makaurau, 3 September 2005 to 30 January 2006 (toured)
Hills of Gold: Michael Smither’s Central Otago, Dunedin Public Art Gallery, Ōtepoti, 4 November 2000 to 4 February 2001
Michael Smither, Michael Smither, Painter (Tāmaki Makaurau: Ron Sang Publications, 2004), 97.